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<channel>
	<title>adamspratley</title>
	<link>https://adamspratley.co.uk</link>
	<description>adamspratley</description>
	<pubDate>Tue, 11 Feb 2025 17:00:00 +0000</pubDate>
	<generator>https://adamspratley.co.uk</generator>
	<language>en</language>
	
		
	<item>
		<title>Nav</title>
				
		<link>https://adamspratley.co.uk/Nav</link>

		<pubDate>Tue, 19 Mar 2024 09:11:23 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Nav</guid>

		<description>

I'm 

Adam&#60;img width="1201" height="1201" width_o="1201" height_o="1201" data-src="https://freight.cargo.site/t/original/i/58e451841a8149690dbf1d66eeab429bb564538440fcf15912ff0621f2c23d0d/1F8DE9E3-CBC3-46E0-A67F-05555BD9A9B4.JPG" data-mid="207647641" border="0"  src="https://freight.cargo.site/w/1000/i/58e451841a8149690dbf1d66eeab429bb564538440fcf15912ff0621f2c23d0d/1F8DE9E3-CBC3-46E0-A67F-05555BD9A9B4.JPG" /&#62;, a 

London based&#60;img width="1232" height="1840" width_o="1232" height_o="1840" data-src="https://freight.cargo.site/t/original/i/b4a56fc15197992416e0318a9cb1df3dfc3fba4f988986673436f9af8f11f403/CNV00053.JPG" data-mid="207647642" border="0"  src="https://freight.cargo.site/w/1000/i/b4a56fc15197992416e0318a9cb1df3dfc3fba4f988986673436f9af8f11f403/CNV00053.JPG" /&#62;

graphic designer&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/bae36ab1e166b939f13cfb5c9f025ec3068340e1a1e2d7cbef1fa3d885be1b95/wibble-01.png" data-mid="207654859" border="0"  src="https://freight.cargo.site/w/1000/i/bae36ab1e166b939f13cfb5c9f025ec3068340e1a1e2d7cbef1fa3d885be1b95/wibble-01.png" /&#62;.
 
I like print, type,
puns&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/53a87aa8da05038d059b465a5164a7fa09be1a1f5a76cc84908cc8d57743ac55/plain-sight-01.png" data-mid="207655026" border="0"  src="https://freight.cargo.site/w/1000/i/53a87aa8da05038d059b465a5164a7fa09be1a1f5a76cc84908cc8d57743ac55/plain-sight-01.png" /&#62;, and have a penchant for dying my hair 

deeply unnatural colours.&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/78da350554823dc37414fee4d49137437ea241efd87f58b1ee1ad22b77784d72/3beccf22-40ec-498f-82d5-e5bd28db4b6d.JPG" data-mid="208109966" border="0"  src="https://freight.cargo.site/w/768/i/78da350554823dc37414fee4d49137437ea241efd87f58b1ee1ad22b77784d72/3beccf22-40ec-498f-82d5-e5bd28db4b6d.JPG" /&#62;


My work is 

research led&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/016d624b08f48bc97347905de26f36d62cc0cc77eafed3d2e2efab0c26611d42/Crowley-Stills-posters.png" data-mid="207659801" border="0"  src="https://freight.cargo.site/w/1000/i/016d624b08f48bc97347905de26f36d62cc0cc77eafed3d2e2efab0c26611d42/Crowley-Stills-posters.png" /&#62;, driven by 

playful concepts&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/8c021011220a27706bec67ee64fc24dfa009262119644fa9ac0c8f922c2d36bb/Life-Of-A-Toothbrush-01.png" data-mid="207659810" border="0"  src="https://freight.cargo.site/w/1000/i/8c021011220a27706bec67ee64fc24dfa009262119644fa9ac0c8f922c2d36bb/Life-Of-A-Toothbrush-01.png" /&#62;, and strives to be

ecologically and ethically&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9549b4605518988713aea4bff70025e5123a15cc01d9e282e06d8b826e8c5ca4/02-copy.png" data-mid="207659849" border="0"  src="https://freight.cargo.site/w/1000/i/9549b4605518988713aea4bff70025e5123a15cc01d9e282e06d8b826e8c5ca4/02-copy.png" /&#62;

 sustainable. I have worked both as a 

freelance designer&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/6d9a50bd077606721cf8a30dcfc7bbb6c2785493e372a15f5851cf62176ed92d/24hrs-01.png" data-mid="207659916" border="0"  src="https://freight.cargo.site/w/1000/i/6d9a50bd077606721cf8a30dcfc7bbb6c2785493e372a15f5851cf62176ed92d/24hrs-01.png" /&#62;

and held in-house positions, and have experience working in the public sector.


I'm also trying to compile a full deck of 
lost 
playing cards&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d89def91dd2adb0d9f8f0f85a00f48c9935fea8238d0b43d5d9dcd6bb0699964/floor_52-128.jpg" data-mid="207660039" border="0"  src="https://freight.cargo.site/w/1000/i/d89def91dd2adb0d9f8f0f85a00f48c9935fea8238d0b43d5d9dcd6bb0699964/floor_52-128.jpg" /&#62;&#38;nbsp;@floor52.</description>
		
	</item>
		
		
	<item>
		<title>Wibble</title>
				
		<link>https://adamspratley.co.uk/Wibble</link>

		<pubDate>Tue, 19 Mar 2024 09:11:25 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Wibble</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/bae36ab1e166b939f13cfb5c9f025ec3068340e1a1e2d7cbef1fa3d885be1b95/wibble-01.png" data-mid="207136183" border="0"  src="https://freight.cargo.site/w/1000/i/bae36ab1e166b939f13cfb5c9f025ec3068340e1a1e2d7cbef1fa3d885be1b95/wibble-01.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2a94d6cb33ea9cd2ede48b6918d447b6793708e8791ce5912717e6aa10061131/wibble-03.png" data-mid="207630128" border="0"  src="https://freight.cargo.site/w/1000/i/2a94d6cb33ea9cd2ede48b6918d447b6793708e8791ce5912717e6aa10061131/wibble-03.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/0d13bc39bfc5ef299903306c0774794d4683fbe11d6d15ceaf5f174719ab3ca0/wibble-04.png" data-mid="207630122" border="0"  src="https://freight.cargo.site/w/1000/i/0d13bc39bfc5ef299903306c0774794d4683fbe11d6d15ceaf5f174719ab3ca0/wibble-04.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/fc1a4016bba0f9ddacc9528512f50325d139eb5f6f97f0062a4f2514ad7840e1/wibble-02.png" data-mid="207630124" border="0"  src="https://freight.cargo.site/w/1000/i/fc1a4016bba0f9ddacc9528512f50325d139eb5f6f97f0062a4f2514ad7840e1/wibble-02.png" /&#62;

	“Wibble” is a typeface design that highlights the fallible nature of human perception. 

Initially designed for a publication exploring the differences between different designers, the typeface combines the structure of the Snellen Optotype, and the wave forms of visible light.

Working with London College Of Communication’s letterpress workshop I created a type specimen in multiple shades of green (the colour your eyes perceive the best).
	
Paper: GF Smith ColorplanTypefaces: Wibble, UniversPrinted: London College Of Communication, Letterpress Studio





</description>
		
	</item>
		
		
	<item>
		<title>Plain Sight</title>
				
		<link>https://adamspratley.co.uk/Plain-Sight-1</link>

		<pubDate>Tue, 26 Mar 2024 11:46:34 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Plain-Sight-1</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/53a87aa8da05038d059b465a5164a7fa09be1a1f5a76cc84908cc8d57743ac55/plain-sight-01.png" data-mid="207630175" border="0"  src="https://freight.cargo.site/w/1000/i/53a87aa8da05038d059b465a5164a7fa09be1a1f5a76cc84908cc8d57743ac55/plain-sight-01.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/83c1cdd14ed284ad280ed3872a8c64bb56a32a46e6f99793f812722cce6705ed/plain-sight-02.png" data-mid="207630178" border="0"  src="https://freight.cargo.site/w/1000/i/83c1cdd14ed284ad280ed3872a8c64bb56a32a46e6f99793f812722cce6705ed/plain-sight-02.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/72c5e2e583f9bb6430cdd57b01d8ea49921d31b27fa35f31dc115300319cd54a/plain-sight-03.png" data-mid="207630200" border="0"  src="https://freight.cargo.site/w/1000/i/72c5e2e583f9bb6430cdd57b01d8ea49921d31b27fa35f31dc115300319cd54a/plain-sight-03.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/383fadad0e58df8995fa639ea26b36d4be6378e8253754e15daa62b26198de36/plain-sight-05.png" data-mid="207630231" border="0"  src="https://freight.cargo.site/w/1000/i/383fadad0e58df8995fa639ea26b36d4be6378e8253754e15daa62b26198de36/plain-sight-05.png" /&#62;

	In an A6 publication, a foldout map, and a series of posters, ‘Plain Sight’ explores the life of Georgiana Cavendish and her time at Chiswick House from a queer historical perspective.Working in partnership with illustrator/writer Rowan Frewin the publication’s design is highly visible but simultaneously hidden. Using a small format but in bright pink hues.
	
Paper: GF Smith ColorplanTypefaces: Din CondensedPrinted: London College Of Communication,&#38;nbsp;Xerox 700i Digital Press





</description>
		
	</item>
		
		
	<item>
		<title>Eat The Poor</title>
				
		<link>https://adamspratley.co.uk/Eat-The-Poor</link>

		<pubDate>Tue, 26 Mar 2024 12:26:58 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Eat-The-Poor</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/6a670045ea7794553060f66b167498baf4f1ab406443bb58e8a4a8d7ef94f179/Eat-The-Poor.png" data-mid="207634937" border="0"  src="https://freight.cargo.site/w/1000/i/6a670045ea7794553060f66b167498baf4f1ab406443bb58e8a4a8d7ef94f179/Eat-The-Poor.png" /&#62;
	&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/f307b1b051267467d09faa9f20c3a27b9221a6735d5527c07cb5932e8567721c/img3.jpg" data-mid="207634938" border="0"  src="https://freight.cargo.site/w/600/i/f307b1b051267467d09faa9f20c3a27b9221a6735d5527c07cb5932e8567721c/img3.jpg" /&#62;
	&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/6a93760a65fcaf5443c0bef709a66884da6193288131bb2aea9ce89c4a29f630/img6jpg.jpg" data-mid="207634939" border="0"  src="https://freight.cargo.site/w/600/i/6a93760a65fcaf5443c0bef709a66884da6193288131bb2aea9ce89c4a29f630/img6jpg.jpg" /&#62;
	&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/18bf799b58149da3fd76e5e3dbd3f14a85c8725d39cce3523a0ad3f3513163a2/img4.jpg" data-mid="207635222" border="0"  src="https://freight.cargo.site/w/600/i/18bf799b58149da3fd76e5e3dbd3f14a85c8725d39cce3523a0ad3f3513163a2/img4.jpg" /&#62;

	In response to Supra Systems Studio ‘Future Of Money’ brief, I created a series of satirical placards that speculates about what the protests of the 1% might look like. Designed to be included in an exhibition, these haptic objects are designed to provoke and stimulate discussion of wealth inequality.

	
Typeface: Profit Grotesque, Alternate Gothic


</description>
		
	</item>
		
		
	<item>
		<title>Dommel</title>
				
		<link>https://adamspratley.co.uk/Dommel</link>

		<pubDate>Tue, 11 Feb 2025 16:03:45 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Dommel</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/7061fe9b47612b578205977e67661fb89595ab70e7b98ab6eeb8a1b0bb141e51/Dommel-01.png" data-mid="226428150" border="0"  src="https://freight.cargo.site/w/1000/i/7061fe9b47612b578205977e67661fb89595ab70e7b98ab6eeb8a1b0bb141e51/Dommel-01.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/78ce8a8286caea052d23c66457245dcfb79049b55e1f28fedbc24953a7f243ab/Dommel-04.png" data-mid="226428180" border="0"  src="https://freight.cargo.site/w/1000/i/78ce8a8286caea052d23c66457245dcfb79049b55e1f28fedbc24953a7f243ab/Dommel-04.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2fda444689925aa5567cd4c039ba041679a6b711414aa0d009be545e7c422b9b/Dommel-05.png" data-mid="226428481" border="0"  src="https://freight.cargo.site/w/1000/i/2fda444689925aa5567cd4c039ba041679a6b711414aa0d009be545e7c422b9b/Dommel-05.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/8a95fc1f3a06c7762c94d97293423fe66972eeb16584cba0ee6859b56c7f7ac5/Dommel-09.png" data-mid="226428189" border="0"  src="https://freight.cargo.site/w/1000/i/8a95fc1f3a06c7762c94d97293423fe66972eeb16584cba0ee6859b56c7f7ac5/Dommel-09.png" /&#62;

	An A3 specimen for the typeface “Dommel” a display typeface inspired by an unassuming bridge in Eindhoven, The Netherlands. 
The bridge was built in 1930, but there is no written record of who created the typeface carved into the bridge’s stonework.

Designer Marcel Sloots created a more precise replica of the typeface in 2011. However, this design seeks not to replicate the typeface faithfully but to embody the unforgivingly square, pointedly asymmetrical, and robust 1930s character of the typeface in a fresh set of functional forms.

Printed on a digital press, and by hand with a lasercut plate.
	
Paper: GF Smith ColorplanTypefaces: Dommel, Aktiv GroteskPrinted: Colourzone Isleworth, My kitchen table





</description>
		
	</item>
		
		
	<item>
		<title>24hrs On Earth</title>
				
		<link>https://adamspratley.co.uk/24hrs-On-Earth-1</link>

		<pubDate>Tue, 26 Mar 2024 11:53:12 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/24hrs-On-Earth-1</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/6d9a50bd077606721cf8a30dcfc7bbb6c2785493e372a15f5851cf62176ed92d/24hrs-01.png" data-mid="207632628" border="0"  src="https://freight.cargo.site/w/1000/i/6d9a50bd077606721cf8a30dcfc7bbb6c2785493e372a15f5851cf62176ed92d/24hrs-01.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/4cd10dbc3283c6291708af136abae26cc2161f17fdaab9d4a950f32da3775e9e/24hrs-05.png" data-mid="207632632" border="0"  src="https://freight.cargo.site/w/1000/i/4cd10dbc3283c6291708af136abae26cc2161f17fdaab9d4a950f32da3775e9e/24hrs-05.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/24b27eb5fb59627170b39d53007a88fba996d1ba8c4cdd7d31084c2a9b3bf430/24hrs-06.png" data-mid="207632633" border="0"  src="https://freight.cargo.site/w/1000/i/24b27eb5fb59627170b39d53007a88fba996d1ba8c4cdd7d31084c2a9b3bf430/24hrs-06.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/2408c945072ac61e0b333ff07884f9bd13a981e915c7cecaf58130fdb40dc1cb/24hrs-08.png" data-mid="207632635" border="0"  src="https://freight.cargo.site/w/1000/i/2408c945072ac61e0b333ff07884f9bd13a981e915c7cecaf58130fdb40dc1cb/24hrs-08.png" /&#62;

	Co-designed with Monteserrat Bao for UAL’s Experimental Pedagogies Research Group, 24hrs On Earth Event. The folded print extolls the learnings fro the event in a non-linear manner, and encourages the user to explore the themes of the project and draw their own connections and observations.

	
Paper: Atlantis Recycled OffsetTypefaces: Lunchtype, Antique OlivePrint and Finishing: London College Of Communication





</description>
		
	</item>
		
		
	<item>
		<title>Grille</title>
				
		<link>https://adamspratley.co.uk/Grille</link>

		<pubDate>Tue, 11 Feb 2025 17:00:00 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Grille</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/48c955b5023cf199ff7e0661fe748b2d16d523672b0c14b8a1aa4c8ac6e4b82e/Grille-01.png" data-mid="226432076" border="0"  src="https://freight.cargo.site/w/1000/i/48c955b5023cf199ff7e0661fe748b2d16d523672b0c14b8a1aa4c8ac6e4b82e/Grille-01.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/c729a4f34fe51b254dcb81dd4e7f577a504aa5e621f392501399d0cfbe669266/Grille-03.png" data-mid="226432081" border="0"  src="https://freight.cargo.site/w/1000/i/c729a4f34fe51b254dcb81dd4e7f577a504aa5e621f392501399d0cfbe669266/Grille-03.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/8811c545c842088618bd9050ae6f51503c7f546263ae2b131f6c3d66d8baa376/Grille-07.png" data-mid="226432117" border="0"  src="https://freight.cargo.site/w/1000/i/8811c545c842088618bd9050ae6f51503c7f546263ae2b131f6c3d66d8baa376/Grille-07.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/1b8d333e7126ccdc0a00813fcbbae82fbfb00887a949d326f108f81e322e72fc/Grille-05.png" data-mid="226432098" border="0"  src="https://freight.cargo.site/w/1000/i/1b8d333e7126ccdc0a00813fcbbae82fbfb00887a949d326f108f81e322e72fc/Grille-05.png" /&#62;

	Specimen booklet for for the typeface “Grille”. 
The typeface was born from my time studying at London College of Communication, with the initial sketches for the typeface being inspired directly by the architectural features of the design block.
The design of the booklet reflects the form of the iconic LCC tower, and serves as something of an homage, as it is now facing demolition. The typeface references the metal grates that appear between the floors of the design block and seeks to explore the space between two and three dimensions in both styles “Contour” and “Void”.
	
Paper: GF Smith ColorplanTypefaces: Grille, Aktiv GroteskPrinted: Colourzone Isleworth





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	<item>
		<title>Life Of A Toothbrush</title>
				
		<link>https://adamspratley.co.uk/Life-Of-A-Toothbrush-1</link>

		<pubDate>Tue, 26 Mar 2024 12:05:48 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Life-Of-A-Toothbrush-1</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/8c021011220a27706bec67ee64fc24dfa009262119644fa9ac0c8f922c2d36bb/Life-Of-A-Toothbrush-01.png" data-mid="207634068" border="0"  src="https://freight.cargo.site/w/1000/i/8c021011220a27706bec67ee64fc24dfa009262119644fa9ac0c8f922c2d36bb/Life-Of-A-Toothbrush-01.png" /&#62;
	&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/909e64a9aab8dd94bad90baf096469117088d3931cdccdbbaeece774889fde50/Life-Of-A-Toothbrush_Adam_Spratley_02.png" data-mid="207634110" border="0"  src="https://freight.cargo.site/w/1000/i/909e64a9aab8dd94bad90baf096469117088d3931cdccdbbaeece774889fde50/Life-Of-A-Toothbrush_Adam_Spratley_02.png" /&#62;
	&#60;img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/62df0a6b26bfac6ab57b04a69764adc11e17c6137f23d83a7c6f8995fcebdb1c/life_of_a_toothbrush_03.png" data-mid="207634120" border="0"  src="https://freight.cargo.site/w/600/i/62df0a6b26bfac6ab57b04a69764adc11e17c6137f23d83a7c6f8995fcebdb1c/life_of_a_toothbrush_03.png" /&#62;
	&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/82245933e3f8cfb7c1ba07a9a75386309095af21d8b09290a9db551ee8ba60f8/Life-Of-A-Toothbrush-7204.png" data-mid="207634811" border="0"  src="https://freight.cargo.site/w/1000/i/82245933e3f8cfb7c1ba07a9a75386309095af21d8b09290a9db551ee8ba60f8/Life-Of-A-Toothbrush-7204.png" /&#62;

	Information design poster detailing the environmental impact of the common plastic toothbrush.

Each mark was made using an actual toothbrush and Japanese sumi ink.

	
Typeface: Avenir

</description>
		
	</item>
		
		
	<item>
		<title>Crowley's Curse</title>
				
		<link>https://adamspratley.co.uk/Crowley-s-Curse-1</link>

		<pubDate>Tue, 26 Mar 2024 12:36:05 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/Crowley-s-Curse-1</guid>

		<description>
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/016d624b08f48bc97347905de26f36d62cc0cc77eafed3d2e2efab0c26611d42/Crowley-Stills-posters.png" data-mid="207635229" border="0"  src="https://freight.cargo.site/w/1000/i/016d624b08f48bc97347905de26f36d62cc0cc77eafed3d2e2efab0c26611d42/Crowley-Stills-posters.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/beee8542355649672bf2fd08252ed8044730a985eda7a65eae67fa830f19e082/Crowley-Stills-02.4.png" data-mid="207635233" border="0"  src="https://freight.cargo.site/w/1000/i/beee8542355649672bf2fd08252ed8044730a985eda7a65eae67fa830f19e082/Crowley-Stills-02.4.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/ccc80034b5278cd60218d5a78b0895f16ecd2d138fcd8cadbaec428905ccde39/Crowley-Stills-02.2.png" data-mid="207635234" border="0"  src="https://freight.cargo.site/w/1000/i/ccc80034b5278cd60218d5a78b0895f16ecd2d138fcd8cadbaec428905ccde39/Crowley-Stills-02.2.png" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/897bad46148db17e18eeb58b15ec2ea9bdfb97025351fc64ec5335f1478c7316/Crowley-Stills-02.1.png" data-mid="207635231" border="0"  src="https://freight.cargo.site/w/1000/i/897bad46148db17e18eeb58b15ec2ea9bdfb97025351fc64ec5335f1478c7316/Crowley-Stills-02.1.png" /&#62;

	In partnership with 1066 County, Crowley’s Curse explores the unexpected connection between Hastings and Britain’s most notorious occultist. 

In a website, and a series of postcards and posters, the design uses a mix of archive material, and prompts the audience to explore the subject matter as if they were exploring the archive of a fan.

	
Typeface: Lydian, Gill Sans


</description>
		
	</item>
		
		
	<item>
		<title>CPI</title>
				
		<link>https://adamspratley.co.uk/CPI</link>

		<pubDate>Tue, 26 Mar 2024 13:02:40 +0000</pubDate>

		<dc:creator>adamspratley</dc:creator>

		<guid isPermaLink="true">https://adamspratley.co.uk/CPI</guid>

		<description>
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/79b4bee88a8dadb2b5c0064de8c5f469c7c721242649cc3ba42bf2f9338bae8e/CPI_Adam_Spratley-03.png" data-mid="207636561" border="0"  src="https://freight.cargo.site/w/1000/i/79b4bee88a8dadb2b5c0064de8c5f469c7c721242649cc3ba42bf2f9338bae8e/CPI_Adam_Spratley-03.png" /&#62;
	&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/0f549281a12673093934b447f17c6f0c59b9931df6a245f913d21b8d7169e16c/CPI_Adam_Spratley-04.png" data-mid="207636562" border="0"  src="https://freight.cargo.site/w/1000/i/0f549281a12673093934b447f17c6f0c59b9931df6a245f913d21b8d7169e16c/CPI_Adam_Spratley-04.png" /&#62;
	&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/4010f3ec9766d6ee71715c28030a712ee27a19a3fcc7f1874f30b89100c1fa91/Free_Folded_Paper_Mockup_5.3.png" data-mid="207636563" border="0"  src="https://freight.cargo.site/w/1000/i/4010f3ec9766d6ee71715c28030a712ee27a19a3fcc7f1874f30b89100c1fa91/Free_Folded_Paper_Mockup_5.3.png" /&#62;
	&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/2207033bafbc9ea7434f4dfb89d90ca47b1fd9457929da53dac6e055ce630017/Free_Folded_Paper_Mockup_5.2.png" data-mid="207636564" border="0"  src="https://freight.cargo.site/w/1000/i/2207033bafbc9ea7434f4dfb89d90ca47b1fd9457929da53dac6e055ce630017/Free_Folded_Paper_Mockup_5.2.png" /&#62;

	In an SRA3 folded format, I created a mailable report of Transparency International’s Corruption Perception Index (2016), which reviews the perceived levels of public sector corruption across the globe.The typography was burned into the fabric to represent the nature of corruption.

	
Typeface: Din, Alternate GothicPaper: Fedrigoni X-Per White DigitalPrint: Xerox 700i Digital Press


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